PRESS GUIDE

[published]: 2016, February 8
[in]: Sleaze Roxx
[article]: 'Welcome to the Club' album review
[by]: Metal Mike

KICK AXE WELCOME TO THE CLUB

Released on November 29, 1985 (Pasha Records)

Review:

"If it's too loud, you're too old..."

Thirty years ago, I didn't know much about hard rock. I didn't have an older brother or anyone to show me what was cool, and I had no budget to buy records. MuchMusic's Power Hour scared me. Small town Northern Ontario (in Canada) was great if you liked Top 40, so nice people had to donate their albums to me. Along with Helix, one of the first metal bands I was exposed to was Kick Axe. I was given Vices and Welcome To The Club at the same time. Two very different angles on one genre. I do think the Vices album cover is one of the cooler images out there.

Along with Helix, the Killer Dwarfs, and Anvil, Kick Axe were at the vanguard of popular Canadian metal, such as it was at that time. Not many in this country were doing it, but boy, they were doing it well. This album rocked me — hard. I am not ashamed to say that I spent many a Saturday afternoon in my room with a cardboard guitar jamming along. The production alone is a treat. Recorded at Spencer Proffer's Pasha Music House in Hollywood, the band from Regina, Saskatchewan put together a solid outing.

Sure the gurgling baby noises after "Feels Good – Don't Stop" are a little strange, but followed up with "Make Your Move" cleanses the palate. The stomp rhythm is infectious and the lyrics are encouraging… "The joke's on you if you try to hide from the truth, your number is up, all eyes on you, Make Your Move." Next up is "Never Let Go" which is a moody song, a gentle ballad that would have fit on Vices. "Hellraiser" too, would have worked on Vices, and the point is Welcome To The Club is a logical progression from the earlier spiked arm-band driven power rock. Not only did the writing and production improve, but so did George Christon's vocals, and the dual guitar riffs of Raymond Harvey and Larry Gillstrom.

The two outstanding cuts to me are "Too Loud… Too Old" and "Feel The Power." "Too Loud... Too Old" is an anthem to all the kids like me whose parents hated the volume and the metal but put up with it anyway. "Feel The Power" starts with a live riff and crowd noise. Not a live track, but you feel the arena rock feel the band has. "I feel my blood surge, I feel my primal urge, I feel the power!" It was that kind of fist in the air sound that got me hooked on wanting to play live someday.

Finally, the album ends with what some consider to be a throwaway song, while others love it. Kick Axe do a decent cover of The Beatles‘ "With A Little Help from My Friends." On its own, it's average. But you toss in the likes of Rik Emmett (Triumph), Andy Curran (Coney Hatch) and the great Lee Aaron, and it becomes something more. There's a lot of feeling and love in this song. I have grown into it over the years. Some of you who remember MuchMusic will get a kick out of the Youtube video below for this song.

Kick Axe did a reunion tour (minus singer Criston) in 2003 and released Kick Axe IV. They still do one-off dates in Canada and North America. Good luck to them, they're part of this country's metal heritage.

Track List:
01. Welcome To The Club
02. Feels Good – Don't Stop
03. Comin' After You
04. Make Your Move
05. Never Let Go
06. Hellraisers
07. Can't Take It With You
08. Too Loud... Too Old
09. Feel The Power
10. With A Little Help From My Friends

Band Members:
George Criston – lead vocals
Larry Gillstrom – guitars, keyboards
Raymond Harvey – guitars, backing vocals
Victor Langen – bass guitar, keyboards
Brian Gillstrom – drums

Additional Musicians:
Randy Bishop – percussion, keyboards
Spencer Proffer – percussion, keyboards
Rik Emmett – vocals (10)
Alfie Zappacosta – vocals (10)
Lee Aaron – vocals (10)
John Albani – vocals (10)
Andy Curran – vocals (10)
Sharon Alton – vocals (10)
Cindy Valentine – vocals (10)
Brian Allen – vocals (10)
Ava Cherry – vocals (10)
Paris – vocals (10)
Bob Segarini – vocals (10)
Cameron Hawkins – vocals (10)

Production:
Produced by Randy Bishop and Spencer Proffer
Mastered by Steve Hall
Engineered by Hanspeter Huber and Ed Stone

Band Websites:
Official Website
Facebook

Reviewed by Metal Mike for Sleaze Roxx, February 2016